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MONET AND THE IMPRESSIONISTS 莫奈与印象派书籍详细信息
- ISBN：9781741740295
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：16 Feb 2009
- 页数：228
- 价格：281.60
- 纸张：铜版纸
- 装帧：平装
- 开本：大16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
When Claude Monet exhibited his paintings for the first time in Paris, he acknowledged no teacher, intending to claim complete originality for his works. Since then, many writers have sought to corroborate his originality, latching on to statements such as What I do here will at least have the merit of not resembling anybody. Because it is simply the expression of what Ive experienced by myself (letter to Bazille, 1866). In actual fact, Monet was gregarious, passionately interested in the paintings of his predecessors and contemporaries, and he made a common political cause with his fellow impressionists, being a principal organizer of their first exhibitions. This book aims to recreate the artistic milieu of Monet and show his rapport with the unconventional non-academic currents of French art including the preceding generation of landscapists of the Fontainebleu School and the succeeding generation, including Paul Gauguin. Paintings by Claude Monet, approximately 20 in all, are grouped with the works of other artists connected to Monet to suggest the range of his experience, his influences, and the influence of his art, from his beginnings in the 1860s to the years after 1900. The artists used for comparison include greats such as Renoir, Sisley, Pissarro, Degas and Cézanne.
书籍目录：
Foreword
Edmund Capon and Seddon Bennington
Introduction
George T M Shackelford
Monet and the Impressionists
George T M Shackelford
Monet's early years: sources of inspiration
Monet and early Impressionism
Monet and the triumph of Impressionism: the 1880s
Monet and Japanese art
Monet's series
Monet and Impressionism after 1900
Monet's technique
George T M Shackelford
Monet's impressions of the industrial environment
Jonathan Mane-Wheoki
Seeing double: painters and photographers
Claire Durand-Ruel Snollaerts
Map of Impressionist France
Chronology
Monet's posterity
Terence Maloon
Monet the founder
Andre Masson
Memories of Monet
Meeting Monsieur Monet:an introduction to four eyewitness aaCcounts
Terence Maloon
An afternoon with Claude Monet
Louis Vauxcelles
The waterlilies by Monsieur Claude Monet
Roger Marx
Memories of Monet
Muriel Ciolkowska
Reminiscences of Claude Monet from 1889 to 1909
Lille Cabot Perry
The artists: biographical notes
List of works
Selected references
Index
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书籍介绍
When Claude Monet exhibited his paintings for the first time in Paris, he acknowledged no teacher, intending to claim complete originality for his works. Since then, many writers have sought to corroborate his originality, latching on to statements such as What I do here will at least have the merit of not resembling anybody. Because it is simply the expression of what Ive experienced by myself (letter to Bazille, 1866). In actual fact, Monet was gregarious, passionately interested in the paintings of his predecessors and contemporaries, and he made a common political cause with his fellow impressionists, being a principal organizer of their first exhibitions. This book aims to recreate the artistic milieu of Monet and show his rapport with the unconventional non-academic currents of French art including the preceding generation of landscapists of the Fontainebleu School and the succeeding generation, including Paul Gauguin. Paintings by Claude Monet, approximately 20 in all, are grouped with the works of other artists connected to Monet to suggest the range of his experience, his influences, and the influence of his art, from his beginnings in the 1860s to the years after 1900. The artists used for comparison include greats such as Renoir, Sisley, Pissarro, Degas and Cézanne.
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