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"Luc Tuymans (Hardcover) "书籍详细信息
- ISBN：9781933045986
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2009-10
- 页数：228
- 价格：398.10
- 纸张：胶版纸
- 装帧：精装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
Luc Tuymans is one of today's most widely admired painters, a
continuation of the great tradition of Northern European painting
and an enduring influence on younger and emerging artists. As a
European child of the 1950s, his relationship to painting is
inevitably structured by television, cinema and by the lingering
effects of World War II; more recent historical preoccupations have
included the dramatic turn of world events post-9/11. Tuymans
combines a muted palette with deteriorated surface effect and a
singular use of cropping, close-up and sequencing--perfect devices
with which to undertake his investigation of the pathological, the
banal and the conspiratorial. Published in conjunction with the
artist's first full-scale American survey, this is without question
the authoritative publication on Tuymans. It features approximately
75 key works from 1978 to the present, and is accompanied by essays
analyzing the painter's main concerns, with particular attention
paid to his working process and his adaptation of source materials.
Helen Molesworth examines themes of sinister banality, Joseph Leo
Koerner writes on iconophobia and iconophilia, Ralph Rugoff
considers the nature of visual experience in light of Tuymans'
recent work, and Bill Horrigan examines cinematic sources. This
book is not only the most comprehensive survey of Tuymans' career
to date, but also the most thorough chronology of his artistic
development.
Born in Mortsel, Belgium, in 1958, Luc Tuymans
first exhibited his paintings in 1985, at Palais des Thermes in
Ostend. His first U.S. exhibition came ten years later, at The
Renaissance Society in Chicago. He has also worked in film and
printmaking.
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials. Helen Molesworth examines themes of sinister banality, Joseph Leo Koerner writes on iconophobia and iconophilia, Ralph Rugoff considers the nature of visual experience in light of Tuymans' recent work, and Bill Horrigan examines cinematic sources. This book is not only the most comprehensive survey of Tuymans' career to date, but also the most thorough chronology of his artistic development.
Born in Mortsel, Belgium, in 1958, Luc Tuymans first exhibited his paintings in 1985, at Palais des Thermes in Ostend. His first U.S. exhibition came ten years later, at The Renaissance Society in Chicago. He has also worked in film and printmaking.
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